Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 253 | Wooded Hilly Landscape | The flower garden at Liancourt | Mexico visto desde el Arsobisbado de Tacubaya. | Arab or Arabic people and life. Orientalism oil paintings 196 |
Related Artists:
haaken gullesons
Ytterlännäs parish, in the province of Ångermanland, belonged to the Archdiocese of Uppsala in the Middle Ages, but has been part of the Diocese of Härnösand since that was formed in 1647. The two churches of he parish, the old one from the early 13th century, and the new one from 1848-1854, are located between the communities of Nyland and Bollstabruk, within Kramfors Municipality. The Ytterlännäs New Church taken into use in 1854 is an example of the style known as a tegnarlada ("Tegnor barn") - spacious, white, clean, neo-classical. The Ytterlännäs Old Church (Ytterlännäs Gamla Kyrka) dates from the 1200s and features medieval vaults, wall-paintings and wooden sculptures, and baroque furnishings including the unusual feature of two galleries; the Ytterlännäs Madonna is regarded by experts as a particularly fine example of the work from the Hälsingland workshop of Haaken Gulleson, all in an excellent state of preservation thanks to the church's being abandoned after 1854.
Joseph van Lerius
painted Portrait of Henriette Mayer van den Bergh in 1857
Thomas Hearne
British Painter, 1744-1817 English painter and engraver. From 1765 to 1771 Hearne studied printmaking as apprentice to the landscape engraver William Woollett, exhibiting watercolours meanwhile at the Free Society of Artists and the Society of Artists. In 1771 he abandoned engraving and accompanied Sir Ralph Payne to the Leeward Islands (where Payne had just been appointed Governor), returning in 1775; several of his fastidious watercolours of Antigua survive, for example the Court House and Guard House in the Town of St John's in the Island of Antigua (n.d.; London, V&A). From then on British topography was his main concern. He travelled widely in England, Scotland and Wales with Sir George Beaumont and from these excursions was able to provide 84 drawings which, engraved by William Byrne, were published as The Antiquities of Great Britain (1778-81). This series set new standards in the pictorial recording of medieval architecture. Hearne also provided drawings for etchings of landscapes and 'rural sports'.